Sunday, 13 April 2025
4.13.25
Wednesday, 5 June 2024
key to the crime
#katyamills
Sunday, 19 December 2021
morningside park
tugging on a lamppost
atop a flight of stairs
by a blade they lost
they strength
waylaid
not without a fight
began to fade
between the teeth the skin
the beat it slows
to fin and many full
with sorrow
hearts
#katyamills
Monday, 13 July 2020
rotary phone
they drilled holes in a disk
attached to your face
buxom and heavy
enough i could defend my life
by you. crack some bastard
in the skull. curled
umbilical cord wrapped around
the body. receiver gripped cold
dial zero for an operator
will talk you down
until help arrives
#katyamills
Saturday, 30 June 2018
Sunday, 18 February 2018
killer iii
they will not ever be who they were before they killed. the part of them that had a chance to be anything other than cold-blooded is gone with the light in their eyes
Monday, 30 October 2017
hunting the unforgiven
I find it wild and a little unsettling to see my country focusing on witch hunts as the ranks of the unforgiven grow, though the feeling is matched by the redemptive quality which forms in our cultural atmosphere each time someone's longheld secret is released and truth stands up finally to power.
This year we have witnessed several figures of great power in Hollywood and the District of Columbia and Manhattan blasted on Twitter and sued and denounced on mainstream media, and a few who have been stripped of power, in those cases where they are clearly (if not by forensic evidence than by the numbers of allegations and survivors) guilty of abusing and betraying the public trust by their actions.
How do I reconcile my mixed reaction to these media moments of horror and truth and compassion? I was once guilty of betraying public trust. Day by day, for several years, I have been working my way back to respectability. Society is giving me a chance to learn from my mistakes. A life cut up by addiction. I left myself behind and lost my mind.
Only god knows if I will make it tomorrow. My past is history. Today I do my best to participate in life and help out, bringing all I have learned with me wherever I go. Sharing. Caring.
What of these public figures whose pasts have caught up with them? Outcasted from society and unforgiven? Why does it disturb me to see them disfigured and disrobed from their fraudulent personas? Isn't this justice and long overdue?
I guess it's sad to watch people die that way, publicly, and sometimes their loved ones have to die alongside them. Meanwhile the victims of their crimes survive. It is unsettling to uncover what they have lived through, the survivors. I know because I am one, too.
I wonder where forgiveness fits in, when it comes to the unforgiven? I wonder if there's a certain hell where healing never starts? A tail end and no beginning. And how it came to be this way?
Wednesday, 4 October 2017
lost ina video
salt whispering of the great sea change

She knew the siphoning to be as surreptitious as it was dangerous down the river a ways, where community and real estate parted, where souls were handed off shamelessly to areas unincorporated and lesser know than a cold case file in a sub-basement archive a steep fall off the side of a paper trail, where who knows? met who cares? in the quicksand of the lost. shoelaces, cell phones, rolling papers, broken glass, one-eyed jacks, matchbooks with names scrawled into them, worry stones, loose change. there, gathered en masse, were those who frightened her by their differences, ghosts, salt whispering of the great sea change.
Monday, 6 March 2017
Tuesday, 2 February 2016
Book Review: Mr. Mercedes
Mr. Mercedes by Stephen KingMy rating: 2 of 5 stars
This is what you get for an impulse buy in Safeway, I mean, a grocery store is a place people go to buy groceries and liquor, not paperbacks! Being accustomed the cold and hard grip of my kindle lately, I just could not turn down the irresistible feeling of all that paper in my hand. And Stephen King has and always will have captured a piece of my heart, so I consider him a trusted source of quality fiction. But his niche is horror - not whodunits!
I enjoyed the first hundred pages or more. A good setup, very interesting characters. Dialogue was sharp, and King's wit was splashed across the pages. He's not always convincing me he has his finger on the early twenty-first century, which is when the book takes place. I mean, sometimes, with words like 'milquetoast', I cannot help picturing an elderly white man penning this book. Not that there's any problem with that, but some of the language is a bit old-fashioned is all. Another nice touch is the exchange of narration from the perspective of the criminal to the perspective of the detective from chapter to chapter. He gets well inside the head of the sick bastard, that's for sure. One of King's strengths, I suppose. But the writing wasn't really special or anything, it was a bit cookie cutter. I kept on thinking, if I took the name King off this book, would I still be reading?
I think this book may have been outlined to perfection, before it was written. It just lacks that certain magic of natural discovery you find in books that are written with less of a perfect plan in place. It is very tidy. All the pieces fit snugly together all the way to the end. Like an editor took it and cut all the juice out of it, to make it more marketable, more salable. Somewhere towards the last couple hundred pages of the book, I started doing those calculations in my mind and that thing where you grab the pages between your forefinger and thumb to save your place, and check for the back matter to see really how much is left to get to the end. It just happened, I couldn't help it.
I really wanted to feel deeply immersed and captivated, after all, King was an author I grew up on and he will always be a champion of horror! Alas, this book is not horror.
View all my reviews
Sunday, 17 January 2016
the crime scene is permanent
while we are looking
we give our all
to thank her
for the ocean
lackluster commentary
washes up on the shore
the droppings
of opinion
hit and run
hit and run
the crime scene
is permanent
she spreads us
lost and luster
thin sometimes
in a minute hand's
wide circling
lenient spin
sometimes
we do it
to ourselves
the hours
artfully wasted
the body
hardly moves
text necking in our photo
editing booths
manipulating
the age off our faces
pixel worship
while life gets scarier
out there
help me
i have forgotten
what's real
i don't wanna regret
all this screen time
like some washed up
porn star
even that
must be real
god let me fall back
laughing in your arms
at a bar
at a laundromat
smoking reds
caring
Monday, 15 July 2013
Profile: filter systemics, twenty thirteen
before she became lead singer by her own self-election
within the band she formed of her own vainglorious self-promotion
after years on the trail of herself (like a bloodhound) and her own self-unfolding...
in deinterlaced leaves of cascading simplicities.
She was pretty cool by unfair prejudicial standards.
Like teenage mutant ganja standards in the lone star state. Or one of the many states that share its borders, despite vehement sworn disassociation. What made her cool, cooler, was the precision marching up of bands of heat. Such efforts of interstate hate would not go unnoticed. Unfortunately.
Her reputation bubbled up over bunsen burners, in the kinda legend-making labs only the usa could conjure. Some of the same labs that produced our torrential downpours of cultural insomnia and paranoia, within the context of widely consumed sheets of shards of glass. Ya. A greater misfortune could not have been told by the third of three eyes, in the great psychic trailer pantheon of the sky.
Outside, the lamentations of the past, present, and future loosely-affiliated yet heavily congregated fearful remnants of the war on drugs, were not enough to put out the fire. Perfectly phalanxed in picket line style, yet penetrable nonetheless. Penetrable as a whose-who of crackhead ho's short-on-crack and long on tar black.
Penetration was not even the word for it. Much more subtle, merci dieu. Like those black and white b-flick wannabe cowboys and draft dodgers and other escapades escape-e's wandering into some sunken like forest and high or low-stepping right into quicksand. Sucked into the earth. That kind of sucks. Kinda sux.
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| firekiller by katya |
Ya. She was pretty cool and out of touch-like, and going cold now. Heading toward hypothermia and frozen hysterics. She and her minions would need to purchase a really cool team of youthful fronting lawyers, by cagey corporate costly law school standards, to even gain a fraction of a chance of a snowball in hell with a colonoscopy-probe-probability following on the ass of a seldom struck facebook page. Open the fucking fan club vault, minnie mouse. It's gonna be a reach!
by Katya Mills @ kissilent.wordpress.com
July 2013
Saturday, 2 March 2013
cobwebbed in corners (living life lavishly)
Calmly pronounced a communist
She was
Only nineteen and reading Marx
She was
Crunching on Pringles
Turning to Engels
She laughed so hard. sent into rare fits
Taken 2 the ground. unable to breathe
Circa 1986 (or seven). inverted hair weave
B4 girls finishing school
B4 armadas of treasuries
B4 living life leisurely
B4 living life lavishly
Her gf was
bending over and under oily cars, greasy pipes
frazzled cutting wires
cobwebbed and cornered
blackened by chimneys...
on break
smoking snipes
the only crack she was exposed to
was plumbers
the only oil they got on their hands
offshore drilling companies stock
the only wired they knew was
ten cups of coffee deep
over morning newspapers
they often fell asleep
Shhh!
dont mention the powder coke
hid behind a classy term
screened by smoke
like designer drug
Shhh!
keep the whole thing
under the oriental rug
matter of fact
keep your whole life
on the down low...
flattened in lines
patterned. deceptive
hieroglyphic designs
Only divining rods
can find us
Only symbols will
define us
Divination
our birthright
Deaf people
can sign us
Then when
we come out
to shine
all your shoes
the light
will be clear...
the choices
we choose
at the top
of our lungs
at the top
of the stairs
leading down
to our subway
we sing
the same songs
we sing
we sing blues
- Katya W Mills
03.02.2013
dedicated to KaliKila
